วันศุกร์ที่ 20 พฤศจิกายน พ.ศ. 2552

Eugene Atget


Atget's work is unique on two levels. He was the maker of a great visual catalogue of the fruits of French culture, as it survived in and near Paris in the first quarter of this century. He was in addition a photographer of such authority and originality that his work remains a bench mark against which much of the most sophisticated contemporary photography measures itself. Other photographers had been concerned with describing specific facts (documentation), or with exploiting their indivisual sensibilities (self-expression).
Atget enconpassed and transcended both approaches when he set himself the task of understanding and interpreting in visual terms a complex, ancient, and living tradition.
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