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Virtual reality VR panoramas from all the world.
Panoramas.dk is created by Hans Nyberg a commercial photographer in Denmark
My intention with this site is to make immersive panoramic images also called VR Photography more known among the general public.
Panoramas.dk is created by Hans Nyberg a commercial photographer in Denmark
My intention with this site is to make immersive panoramic images also called VR Photography more known among the general public.
Interactive panoramas is a young media and as such it has for many years been known among entusiastic photographers and multimedia creators. An interactive VR panorama can not be seen in a book or on a printed image. If you print the panorama it gets a completely different expression.
Se examples here
Se examples here
You can only experience the feeling of being at the place and look around, on a computer. You can only distribute Vr Panoramas by the Internet or on CD.
With new fast internet connections Virtual Reality Panoramas has a large advantage in the tourist industri and in many other areas.
With new fast internet connections Virtual Reality Panoramas has a large advantage in the tourist industri and in many other areas.
As a documentary of cultural heritage VR Photography is an excellent media which within a much smaller download than videos can give you a full view of a church or an ancient temple.
No other media can give you the feeling of being at the place like VR photos. And the ultimate feeling comes when you view it in Fullscreen
http://ivrpa.org/
http://www.panoramas.dk/
No other media can give you the feeling of being at the place like VR photos. And the ultimate feeling comes when you view it in Fullscreen
http://ivrpa.org/
http://www.panoramas.dk/
The photography reader โดย Liz Wells
Melvin Sokolsky (born in 1933) is an American 
Like shadows themselves, weaving through the interstices of the city, street-vendors, children and animals unselfconsciously perform the loneliness in the crowd which has characterized the modern city since Baudelaire wandered through Paris in the mid-nineteenth century. But in contrast to the commercial images glimpsed on billboards and busses which aspire to a Western identity, this is no Paris with its regular boulevards for the see-and-be-seen promenade, nor do we wish it to become one. Asci instead reveals a city which outgrows any attempts at planning, in which concrete cracks and crowds make unlikely daily homes for themselves without any intention of making an impression, without any consciousness of the impression they make on the camera. The city surrounded by water becomes a city with the solidity of water.
Since the nineteenth century, this complex waterfront of multiple shores - of Europe and Asia against the Sea of Marmara, the Black Sea, the straight which joins them, called the Bosporus, and the riverine port which joins it, known as the Golden Horn - has offered photographers a long series of panoramas through which to create the image of the exotic city, minarets pointing delicately to the sky. This panorama, however, is the view from outside. Like a veil, it points to what is hidden without showing it; it shows only to promise revelation without actually granting entry to the city. These photographs by Asci use the elongated format of the panorama to turn this common view of the city inside-out. Walking within its streets, meeting its inhabitants, caught in the web of their movements, we no longer exoticize the city as an impenetrable castle surrounded by a moat, but instead, along with the photographer, we respect its mystery, a never-ending series of curtains, unknowable as the most intimate belove.
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